The white color is dominating around the floors and hightlights the shadows, the distances and the independent elements like chairs, a sofa, a table and other furniture. When you enter the home you see an open space that seeks a balance between the linearity imposed by the long, parallel main walls. The central table in structural glass (design Romolo Stanco for NIccolai), surrounded by Panton chairs (Verner Panton for Vitra) filters the living room open space in a quiet, understated way, also providing a counterpoint to the sofa. The loft area, which can only be reached by climbing the suspended dinosaur-back like stairs, is the relax-night zone. It is only separated from the living room by a glass that has the same function of theatrical wings. The essential, low bed is opposed to the expressive bathtub (“La vasca” by Matteo Thun).
The white color is dominating around the floors and hightlights the shadows, the distances and the independent elements like chairs, a sofa, a table and other furniture. When you enter the home you see an open space that seeks a balance between the linearity imposed by the long, parallel main walls. The central table in structural glass (design Romolo Stanco for NIccolai), surrounded by Panton chairs (Verner Panton for Vitra) filters the living room open space in a quiet, understated way, also providing a counterpoint to the sofa. The loft area, which can only be reached by climbing the suspended dinosaur-back like stairs, is the relax-night zone. It is only separated from the living room by a glass that has the same function of theatrical wings. The essential, low bed is opposed to the expressive bathtub (“La vasca” by Matteo Thun).
